Dancing Your Story: Workshop 3

A curriculum designed for adults ages 55+.

Join teaching artists Thern Anderson & Mary Moore Easter in a dance and writing workshop at TU Dance Center. Movement will be explored in combination with creative writing to create a real or imaginary story. Participants will work on movement phrases and choreography expanding their range of motion. Classes are accompanied by live music.

This workshop is available to all levels and abilities. No previous experience is necessary. Limited spaces available. This workshop is free. All sessions and the culminating event will be held at TU Dance Center.

Dates: Mondays, 2:00-3:30pm, October 29-December 17 (8 sessions)

Culminating event: December 17, 3:30-5:00pm

For more information and to register, please contact TU Dance Education & Outreach Coordinator Kaitin Kelly Benedict at kaitin.kbenedict@tudance.org or 612-605-1925.

Thern Anderson is a dance educator with a wealth of experience teaching children, adults, professional dancers and community groups. Thern brings somatic movement principles and improvisational skills to her teaching of modern dance techniques. In teaching dance to beginning adults, her philosophy is that anyone can dance and find pleasure in movement. Classes include the study of body and spatial awareness,  rhythm and phrasing, ensemble dancing, and injury prevention.  Students learn through modern dance phrases as well as improvisational structures.Mary Moore Easter’s first poetry collection, The Body of the World, is forthcoming from MadHad Press in 2018. The manuscript is also a finalist for the Prairie Schooner Bok Prize in 2017.  A Pushcart Prize-nominated poet and Cave Canem Fellow, Easter is published in POETRY, The New York Times, Seattle Review, Water Stone, Calyx, Pluck!, Persimmon Tree, Fjord’s Review, The Little Patuxent Review and the 2015 anthology Blues Vision: African American Writing from Minnesota. She holds a B.A. from Sarah Lawrence and an M.A. from Goddard. Born in Petersburg, Virginia to parents on the faculty of then-segregated Virginia State College, she was as immersed in their artistic and intellectual interests as she was in limitations segregation imposed on her black world. She re-rooted as faculty at Minnesota’s Carleton College where she was founder and director of the Dance Program.

This activity is supported by a grant from Aroha Philanthropies Seeding Vitality Arts Initiative and in partnership with Episcopal Homes.

TU Dance and the International Association of Blacks in Dance

TWENTY-FIVE BLACK-LED DANCE COMPANIES AWARDED QUARTER OF A MILLION DOLLARS

The International Association of Blacks in Dance distributes a second round of MOVE (Managing Organizational Vitality and Endurance) grants to dance companies in 12 States across the U.S.
with support from The Andrew W. Mellon Foundation

The International Association of Blacks in Dance (IABD) has awarded $250,000 to 25 Black-led member companies throughout the United States. Each company has received an unrestricted INFLUENCERS grant of $10,000 for general operating expenses. IABD awarded the grants as part of its inaugural financial and organizational health program, MOVE: Managing Organizational Vitality and Endurance, which was generously funded by The Andrew W. Mellon Foundation.

“This round of grants penetrates to the very root of our communities, where these companies thrive, create, and provide much needed services to their constituencies. These organizations are critical and serve as a lifeline in many communities across the U.S. They are literally saving lives,” said Denise Saunders Thompson, President and CEO of IABD. “IABD is awarding general operating support grants to offer just a bit of relief and funding capital to address any challenges they might be facing. The companies include:

Iibada Dance Company, Indianapolis, IN
Dance Iquail, Philadelphia, PA
Muntu Dance Theatre, Chicago, IL
Robert Moses’ KIN, San Francisco, CA
Step Afrika, Washington, DC
Threads Dance Project, Golden Valley, MN
Eleone Dance Theatre, Philadelphia, PA
TU Dance, St. Paul, MN
Urban Bush Women, Brooklyn, NY
Garth Fagan Dance, Rochester, NY
Washington Reflections Dance Co, Washington, DC

The COLLECTIVE Cohort, as they are called, is participating in a peer-to-peer online learning community that includes technical assistance, financial planning, organizational development strategies and training with the Nonprofit Finance Fund (NFF), as well as relevant and important discussions on issues facing these companies on a day-to-day basis. The COLLECTIVE kicked off its activities in July with an online webinar administered by IABD and NFF. The training includes access to information and tools that will support longevity and strengthen the capacity of these organizations to remain recognized artistic and thought leaders.

In March 2018, IABD received a $2,636,000, multi-year grant award from The Mellon Foundation for Phase II of the organization’s Comprehensive Organizational Health Initiative (COHI). In partnership with the Nonprofit Finance Fund, this phase of the COHI program offers capital deployment, financial consultation, and technical assistance to participating IABD member companies.  Responding directly to many of the lessons learned from Phase I activities (i.e. site visits, financial diagnostics, educational workshops), it serves as recommended next steps to strengthen IABD, Inc., its member organizations, and by extension, the field of Black dance. The collaborative nature of this program aims to ensure the vitality of the Black dance sector by addressing historic barriers, building parity among Black dance organizations that support and create work with differing aesthetics, and developing new organizational processes and practices for nonprofit arts organizations.

For more information about the COHI program, please visit www.iabdassociation.org/COHI.

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ABOUT THE INTERNATIONAL ASSOCIATION OF BLACKS IN DANCE: The International Association of Blacks in Dance (IABD) preserves and promotes dance by people of African ancestry or origin, and assists and increases opportunities for artists in advocacy, audience development, education, funding, networking, performance, philosophical dialogue, and touring. IABD has become the Mecca for Blacks in Dance, such as administrators, artists, choreographers, dance companies, directors, educators, researchers and scholars, and those interested in artistry, Black dance issues, and performance presentations. The Association, founded in 1991, provides a network, formal newsletters, choreographer’s directory, and published papers; it is the raison d’être for the annual conference and festival. The Association also responds to and initiates dialogue around issues that impact the Black Dance Community as well as the Dance community at large. IABD has developed national prominence and allowed the Black Dance Community to come together on important issues. For more information on IABD visit iabdassociation.org.

ABOUT THE ANDREW W. MELLON FOUNDATION: Founded in 1969, the Andrew W. Mellon Foundation endeavors to strengthen, promote, and, where necessary, defend the contributions of the humanities and the arts to human flourishing and to the well-being of diverse and democratic societies by supporting exemplary institutions of higher education and culture as they renew and provide access to an invaluable heritage of ambitious, path-breaking work. Additional information is available at  mellon.org.

ABOUT NONPROFIT FINANCE FUND: Nonprofit Finance Fund (NFF) advances missions and social progress in underserved communities through financing, consulting, partnerships, and knowledge-sharing that empower leaders, organizations, and ideas. A leading Community Development Financial Institution (CDFI), NFF currently manages over $310 million. Since 1980, we have provided almost $700 million in financing and access to additional capital in support of over $2.3 billion in projects for thousands of organizations nationwide. NFF is headquartered in New York City and serves clients from five offices across the country. For more information on NFF visit  nff.org.

Class With Chris LaPlante, September 8

LIT (LaPlante’s Integrated Technique) is an evolving amalgamation of numerous techniques that explores the connectivity of the body, from a breaking approach to floor work, image and sensation-based improvisation, to exercises that warm, connect, and condition the body. LIT is inspired by Horton, Limón, qi gong, and the Alexander Technique.

Saturday, September 8 | 2:00-3:30pm
Advanced-Intermediate/Advanced-Professional

Cost: $14 or class card

Student Name:

Bio: Christopher LaPlante was born and raised in St. Paul Park, MN. After training in the University of Minnesota’s Dance Program, he danced with TU Dance, Twin Cities Ballet, Zenon Dance Company, Minnesota Opera and ARENA Dances, as well as numerous smaller projects. Chris has shown his own choreography at 9×22 Dance/Lab in Minneapolis, the University of Wisconsin-River Falls Dance Program and numerous other sites in Minneapolis. While in New York, he has had the opportunity to dance with Abraham.In.Motion and a collaboration with Yoshito Sakuraba. Throughout the past four years, he has worked with Guggenheim, Pew, and United States Artists fellow Raphael Xavier. Chris has taught his LIT class throughout the east coast and at the University of Minnesota and TU Dance Center.

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