In anticipation of the TU Dance Spring Concert at the Ordway, April 29, please join Artistic Directors Toni Pierce-Sands and Uri Sands, Ordway Center for the Performing Arts and artist in residence Ronald K. Brown for two informal in-studio showings on Thursday, March 30, from 5:30-6:30pm at TU Dance Center and on Thursday, April 13, from 6:30-7:30pm at the Ordway Center for the Performing Arts. The showcase will feature excerpts from the spring concert program, which includes world premiere by Ronald K. Brown commissioned by The Ordway and The Rosemary and David Good Family Foundation and selections from the TU Dance repertory. Presented by SIT Investment Associates with additional support from Patricia A. Mitchell Fund for Dance.
FREE | Open to all
Advanced registration required.
March 30 at TU Dance Center
Doors open at 5:00pm | Showing, 5:30-6:30pm
To register, please call: or secure your spot online at ORDWAY.ORG
April 13 at the Ordway Center for the Performing Arts, Drake Room
Doors open at 6:00pm | Showing, 6:30-7:30pm
To register, please call: or secure your spot online at ORDWAY.ORG
Photo: Michael Slobodian
In anticipation of the TU Dance Spring Concert at the Ordway, please join us for a contemporary dance master class with artist in residence Ronald K. Brown!
Wednesday, March 29, 6- 7:30PM
TU Dance Center | 2121 University Ave W, St. Paul, MN
$7 per person | Ages 12 + | All levels welcome
To register, call: 651.224.4222 or secure your spot by paying online here
Loose clothing and bare feet recommended
This class is designed for intergenerational participants with a wide range to no dance experience. Class begins with meditation and floor work that includes stretching and mind-body centering exercises. Center floor work includes alignment and the introduction of the various dance techniques that are incorporated in the vocabulary of Ronald K. Brown/ EVIDENCE, A Dance Company. Phrases across the floor use influences from western modern dance as well as traditional and social dances from West Africa, the Caribbean and the U.S.
TU Dance returns to the Ordway —an evening featuring world premiere by Ronald K. Brown commissioned by The Ordway and The Rosemary and David Good Family Foundation and include selections from the TU Dance repertory — on Saturday, April 29, 7:30pm at The Ordway Center for the Performing Arts. For tickets, call the Ordway at 651.224.4222 or visit Ordway.org.
Master Classes are designed for intergenerational participants with a wide range to no dance experience. Classes begin center floor with and emphasis on alignment, rhythm and using the body to express ideas and themes; strength, prayer, and celebration. Classes for beginning/intermediate/
Wednesday, March 22 and March 29 with Arcell Cabuag at 9:30am
Monday, March 27 with Ron K. Brown at 9:30am
TU Dance Center
Note: please see the additional post about Ron K. Brown’s masterclass on March 29 at 6:00pm
Ron K. Brown’s bio.
Arcell Cabuag’s bio.
Cost: $14/class or class card.
This activity is supported by The Ordway Center for the Performing Arts and The Rosemary and David Good Family Foundation.
TU Dance Artistic Directors, Toni Pierce-Sands and Uri Sands will be holding auditions for the 2017-2018 Season.
Sunday, April 9
11:30am – Registration
12:00-3:00pm – Audition
Interested dancers need to email their current resume and headshot to firstname.lastname@example.org
For more information, please email email@example.com.
TU Dance Center, 2121 University Avenue West, Saint Paul MN 55114
Gioconda Barbuto is an Italo-Canadian dancer and choreographer. She began her training with Gladys Forrester and pursued her artistic development at the Banff Centre and the Royal Winnipeg Ballet. A dancer of explosive wit, subtle intelligence, and a fine sense of theatricality, Gioconda has distinguished herself throughout her career in an impressive number of works by choreographers such as George Balanchine, Nacho Duato, Michel Fokine, Christopher House, Jiri Kylián, Hans Van Manen, James Kudelka, José Limon, Brian Macdonald, Mark Morris, Ohad Naharin, Fernand Nault, Anthony Tudor, Sol León /Paul Lightfoot, Meryl Tankard, Johann Inger, American performance designer and director Robert Wilson and many others. She danced with the Minnesota Dance Theatre before becoming a soloist with Les Grand Ballets Canadiens de Montréal, where she danced for 16 years. In 1998 she was invited by Jiri Kylian to join Nederlands Dans Theater III in The Hague, Holland, with a group of high caliber dancers, all over the age of forty, and toured internationally with the company for eight years. Gioconda is featured in two of Jiri Kylian’s award winning Films, Birth Day and Car Men. In 1996 she was nominated for the Kennedy Center Fellowship and was the recipient of the Clifford E. Lee choreography award. She is a recipient of several grants from the Canada Council for the Arts and has created many of her own solo and group projects with many renowned dance artists, such as Margie Gillis, Ginette Laurin, Paul Andre Fortier, Coleman/Lemieux, Martino Müller, Anik Bissonnette, Emily Molnar and Joe Laughlin to name a few. Gioconda‘s choreography has been presented at TU Dance, Ballet BC, Ballet Jorgen, Banff Festival Ballet, Danse Cite, Tangente, L’Agora de la danse, Vancouver Dance Centre, Les Grands Ballets Canadiens, BJM Danse Montreal, Alberta Ballet, Minnesota Dance Theater, Northwest Dance Project, McKnight Fellowship Solo Commission, Bravo FACT, CBC Canada/Films Piche Ferrari, Ballet Kelowna, The Juilliard School, Arts Umbrella Dance Company, You Dance/National Ballet of Canada, Simon Fraser University Dance, Ecole Supérieure de Ballet de Quebec, Dutch National Ballet Academy, Nederlands Dans Theater Choreographic Workshop and many more. Gioconda has also created and directed the graduating production L’Abri, for the National Circus School. The 2015-2016 season brought many new projects and highlights for Gioconda. She was selected as the 2015 McKnight International Artist and has choreographed and premiered a new work for the partnering company TU Dance entitled FOOTPRINT with music by Gabriel Prokofiev. Her season began with a creation and performance of a new work in collaboration with Joe Laughlin, entitled 4OUR, which continued on an eastern Canada tour in the fall of 2016. Amongst her many commissions, she also choreographed a new solo for Joe Laughlin and was invited back to Arts Umbrella Dance Company, Ecole Supérieure de Ballet de Quebec as well as the Dutch National Ballet Academy. Gioconda also conducted creative movement workshops for Danse a la Carte, University of Minnesota’s Northrop Auditorium, TU Dance, and for the summer dance intensives of the Dutch National Ballet, Arts Umbrella Dance and RUBBERBANDance Group. Her workshops will also be featured at the Vancouver Training Society and Yokohama Dance Intensive. This spring, for the Atelier et Laboratoire de Creation, Gioconda will be on faculty for the 10th Anniversary of TransFormation Danse. Gioconda continues to share her passion for Dance and the Performance Arts through her choreography, performances, movement workshops, directing and coaching.
Jennifer Hart will be teaching open ballet class on Monday, February 6 at 9:30am. Please join us!
Cost: $14/class. Class card accepted.
Jennifer Hart is a choreographer whose work has been commissioned by Ballet Austin, Ballet Austin ll, Ballet Nouveau Colorado, James Sewell Ballet, Minnesota Dance Theater, The Walker Art Center’s Momentum Series, The McKnight Fellowship for Dancers, Metropolitan Ballet Project in Minneapolis, Minnesota and Lawrence Ballet Theatre. In 2011, Hart was awarded a New York City Ballet Fellowship and won third place at the Saint-Sauveur International Choreography Competition. She received second place at Ballet Nouveau Colorado’s choreography competition, and was one of three winners of the University of Kansas’ competitive choreography competition. She was chosen three times to present work at Ballet Builders, New Choreographer’s on Point in NYC. She was commissioned by University of Massachusetts in the fall of 2013; the work was chosen for the National College Dance Festival at the Kennedy Center, June 2014. In March 2015, she premiered a new ballet, To Here, for Ballet Austin’s Director’s Choice. In 2014, she formed Performa/Dance with Ballet Austin dancer Edward Carr. Performa/Dance launched its inaugural show Ignite: Three Works, in June, 2014. Her work for Performa/Dance was awarded two Austin Critic’s Table awards for Best Short Work (“On Truth and Love”) and Best Dance Concert (Ignite: Three Works). Along with her work in concert dance, she has choreographed and performed cabaret shorts for nightclubs and television. She trained at Minnesota Dance Theatre, Pacific Northwest Ballet and San Francisco Ballet. Her performing career includes Minnesota Dance Theatre, Ballet of the Dolls, and L.A Chamber Ballet, as well as independent choreographers. She choreographs yearly for Ballet Austin’s apprentices and Fellowship recipients, teaches full-time in the academy, and serves as Curriculum Leader for the lower levels of the school.
- What: TU Dance
- When: 8 p.m. Friday and Saturday, 2 p.m. Sunday
- Where: The O’Shaughnessy, 2004 Randolph Ave., St. Paul
- Tickets: $34-$18; 651-690-6700 or oshag.stkate.edu.
TU Dance has a few things to say about race and equality.
But the St. Paul-based dance company won’t use words to express the message.
Dance will carry the message in TU Dance’s fall concert this weekend. Performances include two premieres as well as a reprise. New York choreographer Francesca Harper’s commissioned piece, “In Witnessing,” looks at how the human body reacts to injustice and violence. “Matter,” choreographed by TU Dance co-founder Uri Sands, touches on the recent tragedies of racial bias and profiling. Finally, the return of Sands’ “Tearing” examines how communities connect in grief and celebration.
“We do our work and honor our art and craft and responsibility by utilizing this platform to very simply just address what’s going on,” Sands said.
After meeting at Alvin Ailey American Dance Theater in New York, Sands and his wife, Toni Pierce-Sands, founded TU in 2004. The company has navigated social change in their works in the past, but this is the first time a performance has had a central theme.
Alanna Morris-Van Tassel, a dancer in her 10th season at TU, talked of how dance can recreate connections where words, such as “I can’t breathe,” cannot when they are politicized or desensitized.
“You have a body. We all have a body. They have a body. That’s something we all have,” Morris-Van Tassel said. “If I’m showing you what it means to have a lump (in your throat), you’re going to get a lump. If I’m anxious, you’re going to feel anxious in your body, too. And I feel like it can also become more of an access point for audiences because that’s something that we all share.”
The dancers said the choreography lets them represent the events and issues of the Black Lives Matter movement — putting their hands up, getting down on their knees or lying on the ground with their hands behind their backs.
“I feel that, as a young person, my voice isn’t as valued as it could be,” said Randall Riley, a second-year dancer at TU. Dance is his form of activism, he said. “I’m doing this physical thing on a stage, and then afterward I’m speaking to people about what I shared and what they experienced,” Riley said.
Toni Pierce-Sands, artistic director and co-founder of TU, said dance gives artists a voice.
“We’re still able to do our work when disasters happen,” Pierce-Sands explained. “Therefore, the artists become the historians, through their vocabulary of their art. So the importance of us as artists (is) being able to have some sort of voice in what’s happening in our world.”
Riley added: “I feel like, as an artist, as a dancer, it’s almost a duty at times. It feels like so much has been said, why not have the voices of artists be a part of the discussion?”
Northrop Auditorium and TU Dance Center invite you to a dance contemporary master class with Aszure Barton for advanced/intermediate students at TU Dance Center.
November 11, 10:30am-12:00pm at TU Dance Center
Cost: $10, free for UofM students
To register visit http://z.umn.edu/aszurebartonmasterclass
Hailed by critics and audiences alike, Canadian choreographer Aszure Barton is the founder and director of Aszure Barton & Artists. She has created works for Mikhail Baryshnikov, Alvin Ailey American Dance Theater, English National Ballet, American Ballet Theatre, Nederlands Dans Theater, National Ballet of Canada, Martha Graham Dance Company, Bayerisches Staatsballett, Sydney Dance Company, Houston Ballet, and Hubbard Street Dance Chicago, among many others. Her workshave been performed on countless international stages including Palais Garnier, The Kennedy Center, The Stanislavsky Theater, Sadler’s Wells, and Lincoln Center. Other choreography credits include the Broadway revival production of The Threepenny Opera directed by Scott Elliott (translation by Wallace Shawn and starring Cyndi Lauper, Alan Cumming, Jim Dale, Nellie Mackay, and Ana Gasteyer), film and installation projects, and international outreach activities such as Kenya’s Earth Project: Healing the Rift, at the Laikipia Nature Conservancy. Barton has been featured on the cover of Dance Magazine and her choreography has appeared in television projects, including the Sundance Channel’s Iconoclasts Series with Alice Waters and Mikhail Baryshnikov. She was the first artist-in-residence at The Baryshnikov Arts Center in 2005 and was a resident artist at The Banff Center from 2009-13. She has been proclaimed an official Ambassador of Contemporary Choreography in Canada and has received many accolades including the prestigious Arts & Letters Award, joining the ranks of Oscar Peterson, Eugene Levy, Karen Kain, and Christopher Plummer. Barton was born and raised in Alberta, Canada, and received her formal dance training at the National Ballet School, where, as a student, she helped originate the ongoing Stephen Godfrey Choreographic Showcase. She currently lives in Brooklyn and is a lover of green tea. Aszure Barton & Artists is a home for visual, sound, and performing artists and engineers, cohering in creative residencies to evoke the movement-based vision and free spirit of its founder. We seek to embrace risk and vulnerability to create work that is universal, intimate, and entertaining. Visit aszurebarton.com for more information.
New works by Francesca Harper and Uri Sands explore contemporary tensions of race, culture and identity.
In anticipation of the TU Dance Fall Concert at the O’Shaughnessy, November 18-20, please join Artistic Directors Toni Pierce-Sands and Uri Sands at TU Dance Center for an informal in-studio showing on Thursday, November 3, from 5:30-6:30pm. The showcase will feature excerpts from the fall concert program, which includes two world premieres by Francesca Harper and Uri Sands.
Parking is available in front of TU Dance Center and in the parking lot located in the north side of the building, accessible through Vandalia Street and Charles Avenue.
Photo by Michael Slobodian ©