Join teaching artists Thern Anderson & Mary Moore Easter in a dance and writing workshop with curriculum designed for adults ages 55+. Participants will explore creative exercises in which the two art forms are inextricably linked and expand their range of physical expression through improvisational activities and practicing set choreography. Movement will be used as a prompt for writing a variety of texts. Classes are accompanied by live music. There will be a culminating event on the last day of class.
Participants of all levels and abilities are welcome. No previous experience is necessary. Limited spaces available. This workshop is free.
July 8-August 26 | Mondays, 1:00-2:30pm
Please contact TU Dance Education & Outreach Coordinator Kaitin Kelly Benedict at firstname.lastname@example.org or (651) 505-3264 with questions and to register.
Teaching Artist bios:
Thern Anderson is a dance educator with a wealth of experience teaching children, adults, professional dancers and community groups. Thern brings somatic movement principles and improvisational skills to her teaching of modern dance techniques. In teaching dance to beginning adults, her philosophy is that anyone can dance and find pleasure in movement. Classes include the study of body and spatial awareness, rhythm and phrasing, ensemble dancing, and injury prevention. Students learn through modern dance phrases as well as improvisational structures.
Mary Moore Easter’s first poetry collection, The Body of the World, was published by MadHat Press in 2018. The manuscript was a finalist for the Prairie Schooner Book Prize in 2017. A Pushcart Prize-nominated poet and Cave Canem Fellow, Easter is published in POETRY, The New York Times, Seattle Review, Water Stone, Calyx, Pluck!, Persimmon Tree, Fjord’s Review, The Little Patuxent Review and the 2015 anthology Blues Vision: African American Writing from Minnesota. She holds a B.A. from Sarah Lawrence and an M.A. from Goddard. Born in Petersburg, Virginia to parents on the faculty of then-segregated Virginia State College, she was as immersed in their artistic and intellectual interests as she was in limitations segregation imposed on her black world. She re-rooted as faculty at Minnesota’s Carleton College where she was founder and director of the Dance Program.
This activity is supported by a Seeding Vitality Arts MN grant from Aroha Philanthropies.