February 23, 2024 Kari Mosel

Contemporary Experiment Classes with Leslie Parker

Please join us at TU Dance Center for two open classes with Leslie Parker. The classes are focused towards intermediate to advanced experiences although all bodies and dance experiences are welcomed.

Contemporary Experiment is a class session in improvisation. The focus of the class is primarily the individual body as a site/map for exploration. It is an embodied practice that expands capacity for a more nuanced, rigorous, and sensory approach to space, time, and energy to integrate the thinking-body with real-time presence; and to play with physical range while increasing flexibility of the spine for a deepening in awareness of strength and endurance. In this class, empathetic exchanges using collaboration in movement studies are significant to amplify grounded power, intuitive connection to the body and place, navigating dissent, and honing clarity in timing and rhythm.

Dates: March 13th & 18th
Time: 9:30-11:00 am
Cost: $16/class or $140/10 Classes

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Learn more about Leslie Parker

Leslie Parker is a dance artist, director, choreographer, improviser, and performer born in the traditional homeland of Indigenous people, mostly the Dakhóta and Ojibwe people, also known as the Twin Cities, Minnesota. She has home art bases in both Brooklyn, NY(traditional homeland of Lenapehoking people) and in St. Paul, MN. Her deep roots in the territory also known as the St. Paul, Rondo community led her to a dance practice that emphasizes an organic aesthetic in experimental movement derived from the Black and African diaspora. Growing up in the Rondo community inspired her towards socially engaged art. Parker’s informal training began with marching in rhythm drill team competitions in the Rondo neighborhood learning from local organizers and activists. Parker holds a BFA from Esther Boyer College of Music and Dance, a MFA in Dance from Hollins University in partnership with the Künstlerhaus Mousonturm, the Frankfurt University of Music and Performing Arts and the Dresden Frankfurt Company in Frankfurt, Germany. She studied Senegalese dance forms at the Centre Culturel Blaise Senghor de Dakar in Senegal, West Africa.

As a dance creative, she highlights unique individual contributions, digs into collective memory to engage with the world more imaginatively and embodies an aesthetic that encompasses an organic physical/movement that includes: Traditional W. African, Black/African American vernacular/social dance, Improvisation, and Contemporary/Modern technique derived from and exchanged across multiple continents. She has received a 2022 McKnight Fellowship for Choreographers, A Nefa/NDP award 2021 and was a Jerome Artist Fellow 2019 – 2021, 2017 Bessie award for Outstanding performer.

Photo Credit: Bobby Rogers

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